Wolfgang Tillmans: The Point Is Matter
The exhibition’s title stems from Tillmans’s long-term understanding of his work sitting between the physical reality of the world he works and lives in and the conceptual, sociopolitical, sensual, and spiritual concerns that underpin his practice.
Merrill Wagner: Nature
Showcasing compositions on a variety of conventional and unconventional supports, ranging from canvas, paper, slate, and stone to Plexiglas and steel, this exhibition will provide an overview of Wagner’s expansive approach to her practice.
Lucas Arruda: Assum Preto
On view will be new seascapes, junglescapes, and abstract monochromes—all part of the artist’s ongoing Deserto-Modelo series—as well as a site-specific installation that translates the genre of landscape into its most elemental form.
Paul Klee: Psychic Improvisation
This presentation will explore Klee's singular use of color and line, offering a concise yet instructive overview of the artist’s practice from the 1920s and 1930s.
Wolfgang Tillmans: The Point Is Matter
The exhibition’s title stems from Tillmans’s long-term understanding of his work sitting between the physical reality of the world he works and lives in and the conceptual, sociopolitical, sensual, and spiritual concerns that underpin his practice.
Merrill Wagner: Nature
Showcasing compositions on a variety of conventional and unconventional supports, ranging from canvas, paper, slate, and stone to Plexiglas and steel, this exhibition will provide an overview of Wagner’s expansive approach to her practice.
Lucas Arruda: Assum Preto
On view will be new seascapes, junglescapes, and abstract monochromes—all part of the artist’s ongoing Deserto-Modelo series—as well as a site-specific installation that translates the genre of landscape into its most elemental form.
Paul Klee: Psychic Improvisation
This presentation will explore Klee's singular use of color and line, offering a concise yet instructive overview of the artist’s practice from the 1920s and 1930s.
Emma McIntyre: If not, winter
For her first presentation with us since the announcement of her representation, McIntyre spent a week at a workshop in the mountains of the Mojave Desert to develop a body of unique works that build on her experimental, alchemical techniques.
Nate Lowman: Stratovolcano
In his first woodcut, Nate Lowman revisits a motif that captured his imagination over a decade ago and is the subject of a large-scale 2021 painting by the artist.
Oscar Murillo: Serralves, WIELS, Kunsthalle Wien
In celebration of Oscar Murillo’s three major concurrent museum shows in Europe at Serralves, WIELS, and Kunsthalle Wien, we are pleased to highlight a selection of works from some of the artist’s most iconic series.
Frieze New York
At Frieze New York we will present a two-artist presentation of Nate Lowman and Franz West, both known for their playful aesthetics and radical approaches to formal concerns.
Emma McIntyre: If not, winter
For her first presentation with us since the announcement of her representation, McIntyre spent a week at a workshop in the mountains of the Mojave Desert to develop a body of unique works that build on her experimental, alchemical techniques.
Nate Lowman: Stratovolcano
In his first woodcut, Nate Lowman revisits a motif that captured his imagination over a decade ago and is the subject of a large-scale 2021 painting by the artist.
Oscar Murillo: Serralves, WIELS, Kunsthalle Wien
In celebration of Oscar Murillo’s three major concurrent museum shows in Europe at Serralves, WIELS, and Kunsthalle Wien, we are pleased to highlight a selection of works from some of the artist’s most iconic series.
Frieze New York
At Frieze New York we will present a two-artist presentation of Nate Lowman and Franz West, both known for their playful aesthetics and radical approaches to formal concerns.
Robert Ryman: 1961–1964
Curated by Dieter Schwarz and organized in collaboration with the artist’s family, this exhibition is one of the most extensive looks at this formative moment in Ryman’s career.
Ad Reinhardt
Focusing on works from the 1940s, this exhibition examines the decade during which Reinhardt thrust himself into the project of completely non-objective painting.
Robert Ryman: Line
Featuring works made on a wide range of unorthodox supports, the exhibition underscores Ryman’s expansive approach to drawing and complements the coinciding presentation of his work at our New York gallery.
Neo Rauch: Field Signs
Widely celebrated as one of the most influential figurative painters working today, Rauch is known for richly colored and elaborate paintings that contain a repertoire of invented characters, settings, objects, and motifs.
Robert Ryman: 1961–1964
Curated by Dieter Schwarz and organized in collaboration with the artist’s family, this exhibition is one of the most extensive looks at this formative moment in Ryman’s career.
Ad Reinhardt
Focusing on works from the 1940s, this exhibition examines the decade during which Reinhardt thrust himself into the project of completely non-objective painting.
Robert Ryman: Line
Featuring works made on a wide range of unorthodox supports, the exhibition underscores Ryman’s expansive approach to drawing and complements the coinciding presentation of his work at our New York gallery.
Neo Rauch: Field Signs
Widely celebrated as one of the most influential figurative painters working today, Rauch is known for richly colored and elaborate paintings that contain a repertoire of invented characters, settings, objects, and motifs.