TONY GONZALEZ is an artist currently living in New York City. He received his BFA from the Cooper Union School of Art and his MFA from Yale University. In addition to working as a fine art photographer, Gonzalez has taught photography for over 30 years including at The Cooper Union, Pratt Institute and New York University. Since 2002, Gonzalez has been teaching full-time at Queens College, CUNY and is currently a Tenured Professor and Deputy Chair of the Photography & Imaging Program. Gonzalez is a contributing author for The Book of Alternative Photographic Processes, Second Edition and Third Edition by Christopher James, A Step-by-Step Manual Highlighting Artists and Their Creative Practice by Christina Z. Anderson and is featured most recently in the Alternative Process Photography for the Contemporary Photographer: A Beginner's Guide 1st Edition by Morgan Post. In 2016, “NAIADS” was featured in the Arezzo & Fotografia Biennial for photography in Arezzo, Italy.

The exhibition "Little Red" explores a modern-day fairy tale inspired by Little Red Riding Hood through photography. The artist initially focused on capturing a model in a red cloak on suburban streets, aiming to convey specific elements of the story rather than literal illustrations. The red cloak, a powerful symbol, was photographed in various environments, from the Hudson Valley landscape to unidentified built spaces.

The images showcase Little Red both as a recognizable individual and a floating, metaphorical presence, blurring the lines between reality and imagination. The exhibition seeks to present a unique perspective on the timeless tale, emphasizing the symbolic and visual impact of the iconic red cloak in diverse settings.

Joell Baxter is a Brooklyn-based artist. In 2024, she will complete a permanent commission in Queens as part of the NYC Department of Cultural Affairs' Public Art for Public Schools program. Baxter has been awarded residencies at the Lower Manhattan Cultural Council, the Lower East Side Printshop, and the Sharpe-Walentas Studio Program. Recent exhibitions include Field Projects in New York, NY, and the Marsh Gallery at Indiana University in Indianapolis, IN. She holds an MFA from the University of Illinois at Chicago. Baxter's work chases fleeting visions at the intersection of color and space. Built out of layers of printed, woven, and cut paper, the stacks of open weave reveal the layers beneath, forming complex structures of overlapping shapes and colors that pixelate and waver. Geometric compositions repeat within and across works at different scales and hues, referencing the ease of these shifts in digital space but enacted painstakingly by hand. Within each strip of paper, the printed colors are always in motion, graduating from one fully saturated hue to its spectral opposite. Laid directly on floors and circling walls, these works visually shift even as the viewer stays in place, materializing the unstable shifts of light, air, and atoms surrounding us.

In this exhibition, Baxter will craft an immersive and luminous environment—a room within a room. Constructed with floor-to-ceiling woven panels, the installation ingeniously utilizes the compact space's structure as its foundation. A series of permeable layers will dynamically engage with the voids in the existing architecture, introducing vibrant and shifting colors throughout. Visitors are invited to enter and explore the space, transforming into both observers and creators of this captivating experience.

Mary Tooley Parker is an accomplished textile artist known for her realistic interpretations of people and nature, drawing inspiration from memories, local history, and visual imagery. Her art seamlessly blends new and recycled materials, including wool, cotton, silk fabric, fleece, handspun yarn, silk fiber, metallic fibers, and more. Employing both natural and synthetic dyes, Parker masterfully creates a diverse palette of colors tailored to her artistic vision.

Recognizing the distinct reception of textile art, Parker understands that it engages viewers in a unique manner, stimulating a different part of the brain. Textile art, especially through the tactile sense of touch, evokes a sense of warmth and familiarity even before the visual image is fully processed. Working primarily in the medium of rug hooking, Parker feels a profound connection not only to the fibers under her fingertips but also to the historical significance of women expressing themselves through fiber arts during challenging times.

In her artistic practice, Parker elevates rug hooking from a utilitarian craft to a contemporary art form. This tradition, rooted in the resourcefulness of previous generations, is skillfully adapted to reflect her 21st-century experience.

This exhibition unfolds the transformative journey embodied in Mary Tooley Parker's textile art—a seamless fusion of craft and artistry. Through years of dedicated exploration, Parker's mastery of textile techniques has blossomed into a profound learning experience. Breaking the boundaries of materials, subjects, and expression in hooked rugs, she skillfully incorporates a diverse array of elements. From the nuanced use of natural and synthetic dyes to shape her color palettes, to the integration of unconventional materials such as silk, handspun yarn, metallic film ribbon, bicycle streamers, shoelaces, and more, Parker's showcased work epitomizes the harmonious convergence of traditional craftsmanship and innovative artistic expression.