Naama Tsabar's first institutional solo exhibition in Germany, Estuaries focuses on three bodies of work with wall and floor works that also function as musical instruments and can be activated by the audience. The performance, created especially in the exhibition, is developed in close collaboration with a group of female identifying or gender non-confirming musicians and performers from Berlin and New York. With the use of felt in connection with sound, Naama Tsabar corresponds with works by Joseph Beuys, which are also shown in parallel in the Kleihueshalle. The exhibition is the first in a series of contemporary presentations in dialogue with the presentation of Beuys’ works in the collection.