In honor of WORLD ART DAY 2025 GDCA Gallery in collaboration with IAA-USA present: 

“EMBRACE”

The act of accepting or supporting someone or something - a belief, theory, or change - willingly and enthusiastically.  To avail oneself of, to adopt.

To take in with the eye or the mind.

To encircle, surround, enclose - each other with love with compassion.

To include or contain - ideas beyond our selves. The strength in each of us, that yet lies undiscovered.

The uniqueness of each person, each voice, that is exactly that.

That remains and renews no matter the distance, the silence, the fear – no matter the time – it lives.

Painting, Mixed Media, Collage, Photography and Sculpture by Susanne Belcher, Richard Bell, Mark Brosmer, Marlene Capell, Michele Castagnetti, Carol Cirillo Stanley, Elizabeth Decker, Teri Dryden, Martyn Jones, Suki Kuss, Kathe Madrigal, Melissa Meier, Crystal Michaelson, Michael Moon, Enid Nilsson, Rick Robinson, Richard Reiner, Edward Rubin, Jason Ruscio, Bill Sherwood, Stephen Schubert, Eva Stensland, Christina Ilene Thomas, Robert Toll & M❤️RE

WORLD ART DAY CELEBRATION:

Saturday April 12^th from 6pm – 10pm

Parking located across the street at 710 / 712 S. Spring Street / LA , CA 90014

GDCA Gallery proudly announces their 15 Year Anniversary Exhibition:

"SPLENDOR"

In Gematria, 15 represents the word 'Hod', which means "Splendor". 

In Numerology, 15 is considered a dynamic and creative agent that represents 'the blooming of life in creation'.

ANGELIQUE ANTONIOU

"A Glimpse of Life - My photographs represent my life. They show how I see the events that occur around me. I am exposing my life to you, for these photos are the moments in my life which I thought were worth preserving and exhibiting. Each moment can never be recaptured. That is one aspect that makes photography so powerful and amazing. Who can ever recreate that moment in time, that feeling! No one. So, my aim is to grab that moment that might have passed unnoticed or been forgotten in order that we might reflect on it, and on ourselves. I want you to see "a glimpse of life" through my eyes. As Henri Cartier-Bresson said, " We are passive onlookers in a world that moves perpetually. Our only moment of creation is that 1/125 of a second when the shutter clicks, the signal is given, and motion is stopped..."

"Degas Remembrance - My first love was ballet. I began dancing at the age of three. Due to an injury I was forced to quit when I was fourteen. Though I shall never again feel my body move across the floor as a dancer, I can still experience the height of an arabesque or the flurry of bourrées through the lens of my camera. Being in their midst I share the dancers' anticipation, their excitement and joy. I want my camera to capture these dancers' lives and moments, as I had once lived them." - AA

SUSANNE BELCHER 

"It's An Illusion

Cast Against A Grove of Trees

Promising Some Relief" 

- Susanne Belcher

RICHARD BELL

Richard Bell is an enigma wrapped in a riddle, with a talent for capturing the mysteries of life through his unique perspective.

Based in the bustling city of Los Angeles, his work delves into the depths of the human psyche, exploring the duality of existence through a monochromatic lens of black, white, and blue. Using a blend of drawing and painting techniques, Bell constructs visually stunning pieces that ignite the imagination and provoke introspection.

Each stroke of his brush or pen reveals a new layer of understanding, urging the viewer to ponder the complexities of the world around us.

With his art, Bell invites us to embrace the unknown and unearth our own inner truths.

MARK BROSMER

"The places I’ve created in my paintings are representative of our earth as we know it, yet more distant than we would care to imagine. My work lives in a silent environment where time fails to exist, where focus is shared between symbols and their surrounding areas." - Mark Brosmer

MARLENE CAPELL

These paintings start with the image of a portal which is the dominant motif. They often evolve over a period of several years. I may paint over old paintings leaving some parts exposed because it goes with my attitude towards life; not to obscure what has gone before. This painting process is one of covering, scraping and redrawing in order to challenge the existing state of the work as multiple layers are built up and then partially obscured. This leaves evidence of what went before in the process of creating a rich and textured surface. I believe our lives are a process of building one experience upon another. As many of these paintings are painted over previous ones, revealing the history of themselves, they become a metaphor for growth and evolution.

MICHELE CASTAGNETTTI

CAROL CIRILLO STANLEY

"It’s the normal, the unnoticed, the common factors of life that influence my work. I look to elevate those pieces by giving each a look and transformation through the camera. Closer views, more distance, varying angles, address a unique perspective. I have been working in downtown Los Angeles for more than a decade, and during this time I have been able to examine the city, its people and structures..." - CCS

ELIZABETH DECKER

I SEE YOU "I had been off in the world for five months or so traveling between London and the EU. I spent some time in Spain, and was inspired by the art surrounding me. Picasso & Gaudi mostly but also street art, music, architecture, fashion, color, conversations, people, expressions, moods. I returned back to the States in September for my son’s birthday and to renew my passport. As I was waiting it out, a friend gave me a place to stay. Another friend gave me a studio to create. So I dove in to create things larger than my traveling sketch book. It felt great to go large again. My first intention was to recreate small portraits on a larger scale of the people I met in the village of Saissac in South France, where I was lucky enough to have a residency for several weeks. But I discovered it didn’t really translate. Sometimes things need to be left intimately small. However, In working through the collective stories of the people I met and the places I travelled, combined with my present state of being, this image emerged. 'I See You' is my love letter to the people I met but also to myself. Knowing that with each step, I grow stronger in embracing the woman I am becoming with the choices I have made to let everything I know to be safe - go. An experiment in Trust. It is also an ode to awareness and truth." 

There’s something happening here "I just feel this is a unified uprising of people coming together to fight for their basic human rights. Everything seemed crazy at the time: Politics. Natural disasters. Relief from natural disasters or income cases no help or support. The year was 2018. Red was a color I was using a lot of to express my fiery mood. A new style emerged where i began to casually throw liquid paint on a rolled out canvas not he floor that began to take shape as people and I moved into the shadows to crate a stinger. more visual voice. A stand. An expression of what I was feeling Inside to come Out. As with all the work I do, it’s about mediating the journey of self, sharing and then opening up a conversation so we can all share our stories. Unite. Embrace. Take A Stand. Buffalo Springfield’s For What it’s Worth was playing on the radio and that shit never gets old."

- Elizabeth Decker

TERI DRYDEN

"Recently, a dear friend gave me a stack of school papers she had been saving for her kid's scrapbook. Along with old tests, drawings and science reports, I found an index card exclaiming "Are you ready for the you know whats?!" It made me laugh out loud and brought me silly joy. That charming little phrase inspired me to create whimsy, colorful collage paintings to bring a moment of shared visual delight with the viewer." - Teri Dryden

EDEM ELESH

"Cheese" - after Magritte.

ANDREW EYLER

"Exodus-a movement of people- freedom from oppression, tyranny and violence; it must be allowed."

"There is no empty space. Every thought, every action is inscribed. Each step into another dimension, another reality towards eternity."  - Andrew Eyler

SIRI FRANCE

"Desert Views Series" - I like the way houses look in the desert. There's so much space around them. You can see them from miles off. In these pictures I tried to balance a sense of structure with plenty of space. I tried not to overwork the paintings, if anything, leaving them a bit unfinished. 

"Seated Woman" - This is another piece where I challenged myself to put in just enough information to discern a figure in bright sunlight.

"Night Travelers" - These images of walkers come from memories of spending he pandemic near Elysian park. Although I wanted to indicate a kind of figure/ ground ambiguity, I also wanted to create images where two layers can be seen clearly, although the figure is not immediately apparent.

- Siri France

STACIA GATES

"The texture and structure of the abstract landscapes are a discovery of the layers we carry in which we are capable of seeing more from within." - Stacia Gates

DAVE GRAHAM

"Each painting is a mirror of nature which I have been blessed to have spent my life studying with all of its astounding mix of patterns and colors. I have also noticed that any time I have approached a canvas with a set idea in mind, it inevitably gets thrown out as the piece takes on a life of its own and evolves into something far more interesting than any ideas I may have had to begin with. This approach for me means letting go of my ego and simply being true to the painting as it is evolving and to myself as an artist...

I began painting in a Monastery in Ireland, at a time when I believed that this was the life I was meant to live, guided by a deeply spiritual monk who was able to convince me despite my own doubts and insecurities, that artistically, I had a gift which I was obliged to pursue. He was and is the only Art teacher I have ever known." - Dave Graham

ALEXANDER GRAHAM

"For Whom The Bell Tolls" is mixed media painted on a novel titled “Hemingway (A Title Fight In 10 Rounds) written by Jed Kiley, who was a close personal friend of Hemingway’s. In it, he describes the tense rivalry between Hemingway and F Scott Fitzgerald not only in their writing but, drinking bouts as well. One of his anecdotes describes one such time when F. Scott dropped a plate glass on Hemingway’s head while he was sleeping off a night of heavy drinking. “For Whom The Bell Tolls” is meant to depict this punch-drunken state with images and literary quotes from both writers legible through the paint and brushstrokes." - Alexander Gramm

GRONK

"Gronk is easily one of the most recognized LA Chicano painters - and yet he remains a mysterious and mercurial figure. Growing up in East Los Angeles amid poverty and police riots, Gronk became an autodidact whose critical interests included art cinema, modernist theater, and campy B-movies, along with a wide array of philosophers, theorists, and writers. Also described as a co-founder of the Chicano conceptual art group Asco, Gronk’s work is a “hybrid voice that speaks in many artistic tongues”: painting, drawing, graphic arts, murals, performance art (street, stage, and video), photography, set design, ceramics, and computer-generated animation. Gronk’s self-invention, hybrid voice, and conceptualism pose a challenge to clear-cut categories, identities, and practices—including the gallery system, toward which he remains ambivalent, but within which he has succeeded. “In the end,” he explains, “I am not going to ask for permission to do something.”

- Gronk

MAUREEN HALDEMAN

Paysages du Ciel (Cloudscapes)

Seeking a respite from the relentless pace of modern life and the concrete landscapes of urbanity, I have always found comfort and inspiration in the boundless expanse and ethereal beauty of the sky. To me, the sky possesses a unique magic, one capable of soothing the soul and rekindling the spirit. A symphony of light and shadow dances across the expanse of mother nature’s canvas; a spectrum of tones and hues are found in the transitions between dawn, dusk and nighttime, interpreting an ever-shifting tapestry of moods, colors and textures, all created by nature.

Through my skyscapes I endeavor to forge a connection between our artificial surroundings and the transcendent beauty of nature. Many of my most contemplative images capture the essence of the sky. Each image tells a story of constancy intertwined with perpetual change, serving as a reminder of the profound therapeutic potential inherent in the natural world, particularly in the limitless expanse above.

My photographs celebrate the sky's soothing influence and acknowledge its power to heal, inspire, and restore balance and harmony and balance in our lives - a soothing balm for the human spirit, offering solace and rejuvenation to those who pause to gaze up and contemplate its wonders.

Maureen J Haldeman

KAREN HANSEN

“Years ago my painting practice melded with my meditation so that the very act of painting has become my meditation. As I work, I ease into a clear, quiet space in my mind. The paintings then evolve through intuition, improvisation, experimentation and revision. I seek radiance, nuance, depth, elegance and mystery in each piece. Their subtle complexity is created by layering transparent and translucent veils of color. The results are lyrical and luminous atmospheric abstractions. They are reflections of the rhythms and quiet mysteries of our lives.” - Karen Hansen

CHERYL HRUDKA & STAN LEY JOHNSON

Where We Were….

There is definitely an evolutionary process to being an artist. Somewhere along the line, we each picked up a camera and started taking photos of what we each thought was interesting. With each photograph we learned what we enjoyed and practiced our techniques, especially in Street Photography. With each day spent in our darkrooms, we learned the excitement of developing those photographs, as well as the art of manipulation. Eventually, we took our photographs and started manipulating them on the computer. Our abstracts were created, and another step in the evolution process was embraced. From using our photographs, to creating an abstraction from scratch was a logical progression. With the vast array of computer art software, we have evolved from ‘where we were’, to ‘where we are’. For each of us the evolution of our abstract images continues and shows no signs of slowing down.

SONDRA JOLLES

"If You Know My Work, You Will Know Me."

- Sondra Jolles

SUKI

“Materiality plays an integral role in my work and often is the driving force narratively. Through careful investigation I found that some of the vintage sheet music that I’ve collected through the years contained handwritten messages and diary like entries written over the notes. Using these stories as a guide, I embedded and intermingled my own personal narrative with the women of the past in an almost melodic and rhythmic fashion. Tapestry is a surgery of sorts, one that finds me patching, revisiting and weaving through my own sense of personal history to connect with the past.” 

The work in this exhibit is true to my devotion to traditional Japanese art forms. I have spent endless hours reading and studying the art of the kimono and devoted my solo show last February to my work in interrupting that form. This exhibit centers on two little known Japanese art forms, Ikebana, the art of flower arranging and Kintsugi…an art form embracing mending and healing. My interpretation of these art forms is rendered with respect for the cultural heritage of these Japanese treasures.

CLAUDIO LUCHINA

A landscape, physical as well as metaphysical of expanded horizons.

The passage of time, and more often than not, the absence of human presence (although the "human" is poignantly present); the subject is the very absence of subject as we commonly understand it, it's as if the subject was at some time there, but it's now absent. We have arrived after the scene has reconstituted itself to its original state. The waters have parted, and now have rejoined, leaving but a trace of a presence.

The periphery of the subject, the before and after, the way time wraps around us.

The presence of the absence, a wave of longing washing on the heart. The silence; not the empty silence, but the silence of the dawn of meaning. Meaning not as concepts, but as the song of the trees in the wind. That kind of meaning, the meaning we understand beyond language.

It's not the ‘we’ in ‘it’ (the world), but it in ‘us’. Or perhaps, who knows, a little bit of both.

KATHE MADRIGAL

My abstract works are stories layered upon each other, hiding parts of some and revealing parts of others. They can take months to reveal their completeness. I find such joy while navigating my way through their forms and colors that I can’t imagine doing anything else with such satisfaction.

MELISSA MEIER

'Brazilian artist Melissa Meier is an internationally recognized Fine Artist, whose works are 3-dimensional constructions, crossing into the sculptural, as well as immersive - documented in Fine Art Photography in it’s final stage. Based on personal mythology, the work is both Feminist and Spiritual - Humanist - Sacred and Profound.' 

Meier was recently featured in American Craft Magazine, in a 6-8 page article in December's 'Wonder issue’, written by Deborah Bishop.

CRYSTAL MICHAELSON

"I have used my painting and mixed media artwork as a means to reflect my personal observations of my ever-changing world. Passionate, visceral, structural, immediate, raw, spontaneous, chaotic colorful scribble, monochromatic serenity, architectural." - Crystal Michaelson

MICHAEL MOON

"I do not think there is any greater reason for me to paint except to seek the truth as it resonates within me and onto the canvas. All of this work seeks out the same - an exploration based upon an intuitive underlying quest for balance and harmony in the midst of impermanence and change." - MM

ENID NILSSON

RICHARD OWEN ROBINSON

Chorus Line" is a studio piece from a study for a series of steel sculptures. The inspiration came from observing lines of dancers in unison, and capturing the moment before the movement, the slight hitch and tilt before the choreography kicks in.

ED RUBIN

My Mannequin Moment

JASON RUSCIO

"Nobody Calls My Shots" - JR

"Everything you do in your life is absolutely meaningless...and it is very important that you do it." -after GHANDI

STEPHEN SCHUBERT

“Day Awakens” (Green Flash). I frequently went to Carmel,CA. to deliver my art to a gallery. Making new friends there I was repeatedly invited to walk down Ocean Ave to watch the sun drop below the horizon. A tradition which included wine drinking and cheering when the “green flash” was seen....an optical illusion that appears on a water horizon at sunrise and sunset that truly looks like a green flash." - Stephen Schubert

BILL SHERWOOD

"I reverse paint on glass using resins and epoxies often lighting behind the painting creating layered effects. ‚What were you thinking?‘ I’m often asked when my works are displayed on a gallery wall. Early on in my career I rendered simply, when art meets science‘“ - Bill Sherwood

EVA STENSLAND

"As a multi-media artist, I am presently focused on acrylic paint with collage elements. Inspired initially by Picasso, DeKooning and Rauschenberg, I am currently most aligned with Kandinsky's theosophy, acquainting myself with the Transcendentalists. Then there is Jung, and the idea of collective consciousness, everything I believe about the nature of reality, consciousness and all, that delicious jazz. .. As an artist we become utterly aware of being a specific individual. At the same time I feel I am «an everyone» or universal being... I allow the channeling through both, the very specific “structural receptacle” that I am: sex, age, culture, DNA…. My job is to allow my part of "The All" to bloom, and inspire others to do the same. Art is a universal language. Your “life” knows the language. Artists just need to entice it to open some of the sacred secrets in your inner self." - Eva Stensland

CHRISTINA ILENE THOMAS

“Expansiveness, heart-centered generosity, spirituality, the inexpressible mystery of life, the paradoxical sense of joy and sadness. I hope that my work will elicit a range of emotions in the viewer, to touch or soften people’s lives in some way, no matter how small. My paintings change moods, just as we all do and as nature does. My intuitive, sensitive process takes time to fully express what the painting wishes to be, as I contemplate and listen to each piece. My landscapes are sometimes invitations to stillness and meditation,sometimes expressions of joy, sometimes of drama and mood. I create my titles in hopes that each piece will be further enhanced, the mood, the feeling of it. To me, the titles are just as important as the painting itself."

Christina has a spontaneous approach, experimenting with colors and textures, allowing her to explore the effects of each step taken. In this way, each painting unfolds and evolves in its own way, and her contemplative, interior life is translated onto the canvas.

ROBERT TOLL

"Moving in to the later years, after 40 years working in welded steel, my work still seems to progress. The physical demands of my style of work forces me to find new ways to create the works that I want to do. I find myself revisiting the figure and exploring new ideas in creating abstract sculpture and conceptual ideas. The work somehow continues with the same passion as ever, and I feel I am

doing some of my best work." - Robert Toll

GDCA Gallery proudly announces their FEBRUARY,  2025 Exhibition:  "CHERISH".

GDCA Gallery proudly announces their FEBRUARY, 2025 SOLO Exhibition: 

CELIK KAYALAR "Layers of the Mind and Soul"

KATHE MADRIGAL

Dr. Celik Kayalar is a muti-faceted person. He is an intellectual, an accomplished Biochemist (his PhD thesis contributed to his professor getting Nobel Prize), wrote produced and directed full length as well as many short films, wrote and acted in plays. Currently he is also teaching film acting at his Film Acting Bay Area School.

www.celik-kayalar.com

ADRIAN HUTH

"Sky To A Machine” is the original text I typed into the prompt of a visual AI tool just to see how it would render back images to me. I refined the prompt with additional modifiers until I reached a composition which became the source material and eventual painting. For myself it represents our own navigation of how technology impacts the human condition.

This is inspired by a quote from Joan Mitchell who once said "Abstract is not a style. I Simply want to make surface work". This quote has always stuck with me and in another song I admire (a lot of my work is inspired from music) the artist sings "You Get No Points For Style". I believe he is talking about fashion but I like how it compliments the Mitchell quote in the art world. The painting is a representation of playing with this theme and maybe a little poke at the art world that thinks of Abstract work as a style.

"For Your Will"

It is inspired by a song of the same name which I think is a clever antithesis to the common phrase "against your will". The song is about relationships interactions and the painting represents two figures intertwined in the same way. 

CHERYL HRUDKA & STAN LEY JOHNSON 

“My work is personal, poetic and lyrical. Emphasis is given to form, texture and color. Each field, the figure and the ground, is meticulously arranged for maximum effect. It is my goal to elicit a familiar and pronounced mood in each of my viewers.” - Cheryl Hrudka

“I am a structural expressionist. At first, the two concepts seem ill suited. This awkward synthesis creates a dynamic tension in my work. By alternating structure (expression) in the figure and expression (structure) in the ground, the forces at play." - Stanley Johnson

Cheryl Hrudka & Stan Johnson

RECENT DEVELOPMENTS LLC / HJ Gallery

KRISTIN BRIN

CECILIA CRESTO

A San Diego native, I grew up surrounded by creativity but only recently made art a primary focus in my life. After completing a six-month mentorship with artist Sheila Daube, I embraced the evolving nature of my craft, experimenting daily and taking creative risks. For me, art is more than a visual expression—it's a means of forging emotional connections and communicating the ineffable. My work blends spontaneity with precision, reflecting both light and shadow, as I continually explore and evolve as an artist.

SHEILA DAUBE

Sheila Daube is an abstract artist from Southern California, drawing inspiration from the mid-century American School and her years as a preschool teacher. “I’ve been trying to paint like a five-year-old for years, striving to return to my original reaction to color and line,” she says. Sheila’s work explores timeless themes from mythology while incorporating unique mediums like foil and powdered pigments. Her art has been featured in national exhibitions, is held in private collections worldwide.

SUKI

Kintsugi

Kintsugi, literally “golden joints”, is the ancestral Japanese art of repairing broken objects by highlighting their cracks with golden resin. Often undertaken as a form of art therapy to encourage resilience, the art of Kintsugi follows a slow and painstaking process that requires patience and concentration. Day after day, week after week, step after step, the object is cleaned, gathered, cared for, mended and celebrated.

Ikebana

At its heart, the Japanese art of Ikebana is about celebrating an intimate connection with nature. To practice Ikebana is to find inspiration in the seasons, favor unassuming blooms and branches, seek balance and simplicity, and remain fully present in the moment. It is a beautiful, pure antidote to our age of distraction and excess.

Artist Statement

The work in this exhibit is true to my devotion to traditional Japanese art forms. I have spent endless hours reading and studying the art of the kimono and devoted my solo show last February to my work in interrupting that form.

This exhibit centers on two little known Japanese art forms, Ikebana, the art of flower arranging and Kintsugi…an art form embracing mending and healing. My interpretation of these art forms is rendered with respect for the cultural heritage of these Japanese treasures.

SUKI October 2024

RICHARD BELL 

TERI DRYDEN

OLD BOYFRIENDS This fun series came from my ongoing commitment to recycling. I salvaged disparate scraps of papers and sewed them together to create one-of-a-kind collages. Metaphorically, they look like a bunch of “old boyfriends” hanging around!

DAY FOR NIGHT When I completed these collages, they brought to mind the moviemaking technique ‘day for night’ where a night scene is shot during the day.

SAMUEL PERRY

Samuel Perry creates dynamic, textural works by engaging with raw, unprimed canvas in an energetic and physical process. Through scuffing, stepping on, and even using the canvas to absorb spilled coffee, Samuel imbues each piece with a sense of lived experience. The canvas is then stapled to the wall, where memories or music inspire abstract forms using drawing materials and gestural paint strokes. Layers of texture, marks, lines, and color build, resulting in expressive, non-repetitive works.

Based in Southern California, Samuel has been an active member of the San Diego art community since 2014. His work has been exhibited in several exhibitions across California and is held in private collections nationwide.

SUSANNE BELCHER

"My floral photo collages in this show are a new, ongoing series called “Secrets In The Garden.” I began photographing the beautiful, floral abundance in my own yard several years ago along with bouquets given to me at special occasions. Many of my images found their way to my heart and I knew that I had to do something new and exciting to honor them. Each flower, each image, seemed to yearn to tell me a secret they were holding dear within their petals. But, their narratives didn’t reveal themselves until I captured a multitude of glitches while watching a movie on TV and began layering, combining, photo collaging them together. I experimented with several different grounds including canvas on which to print them, but they didn’t come alive for me until I installed them on Acrylic. Their stories are magical, dreamlike, spiritual, sensual and romantic along with a bit of vanity and playfulness. However, I defer to the imagination of the viewers to be swept away by the stories they see. – Susanne Belcher

CAROL CIRILLO STANLEY

"It’s the normal, the unnoticed, the common factors of life that influence my work. I look to elevate those pieces by giving each a look and transformation through the camera. Closer views, more distance, varying angles, address a unique perspective. I have been working in downtown Los Angeles for more than a decade, and during this time I have been able to examine the city, its people and structures..." - CCS

TERI DRYDEN

"With an emphasis on process I create textured surfaces by responding to the changes in the picture as I explore and interact with my materials. Moving between intuition and logic, chaos and order, I reunite and record fragments of thoughts, feelings and memories. By creating an ephemeral path between internal experiences and external encounters, I ask: Who am I? Who are we?"

SUKI

“Art is not art. Art is life”. SK

"My love of Japanese art and culture started a thirty-year journey of exploration of the kimono. Silky textures, clean lines and dramatic form resonated deeply in me.

My very first pieces were created in dichroic glass. Throughout the years I continued this aesthetic with paper, paint and pen.

I explored other media and themes, but always came back to the kimono.

To me, it represents courage, beauty and feminine strength." 

Adria Becker "KIND OF BLUE"

Portraiture and figurative nudes. Becker offers exploration of traditional rendering starting points to highly experimental, cross-contouring representation. These figures and faces all succeed in the ultimate goal: capturing the soul.

PREVIOUS EXHIBIT

BEDRI BAYKAM

"STILL WET" RECENT ABSTRACTS