by Brent Birnbaum on October 11th, 2011
Second to None
Ry Rocklen has developed a language that is poetic and unique. His originality is an accomplishment considering the thousands of artists who used found objects in their work. Ry inserts old objects with his artistic mojo, giving them new life in a different realm. Perhaps you caught his previous outings in New York City at Marc Jancou in 2009 or in the Whitney Biennial of 2008. Rocklen’s latest New York show is up at Untitled on the Lower East Side until October 16th.
by Lee Foley on October 4th, 2011
Installation View, The Murder of Hi Good, 2011
by Aaron Harbor on August 30th, 2011
My fellow Americans. As a young boy, I dreamed of being a baseball, but tonight I say, we must move forward, not backward, upward not forward, and always twirling, twirling, twirling towards freedom.’- Kodos, Treehouse of Horror VII
by Cielo Lutino on August 11th, 2011
Tiara, one of the film's main characters, applies make-up. Photograph by Kathy Huang.
I know very little about Islam, not much more about Indonesia, and absolutely nothing about being transgendered. These shortcomings didn’t prevent me from relating to Tales of the Waria, however, Kathy Huang’s documentary about four transgendered women in Indonesia, home to the world’s largest Muslim population. Filmed in the cinematic coastal region of South Sulawesi, this sumptuously shot narrative follows four waria — a mash-up of wanita, which means woman, and pria, which means man — in their respective quests for love.
by Amanda Schmitt on August 2nd, 2011
Marilyn Minter, Green Pink Caviar, video, 8:00, 2009, courtesy of Ramis Barquet Gallery
If you find yourself trekking under the hot sun and making the gallery rounds in Chelsea on a 98°F day in the middle of July, then you are surely a glutton for punishment. However, thanks to the cool respite of air conditioning in Ramis Barquet Gallery, one can comfortably experience another sort of “Glutton for Punishment,” as this annual group video exhibition is aptly titled. Rather than a traditional video screening with a seated, theater arrangement, curator Nicholas Kilner presents each of the five videos separately, realizing a unique exhibition format and creating an immersive video experience. As the press release perfectly describes, “each of the works included uses video as a platform to explore the body in all its physicality and its subjectivity to innocent and aggressive desire.”
by Brent Birnbaum on July 25th, 2011
It is hard to be unique in Chelsea. Enter summertime at Kravets-Wehby Gallery. Making my gallery rounds in May, I wandered in and wondered: is this the output of a kooky old reclusive woman. To my delight it was Justin Samson. His previous New York shows at John Connelly Presents were superb and this show delivered as well. It is such a joy to admire someone’s work and not know you’re walking into view their latest. Samson’s idiosyncratic works consumed the space with labor and passion for his craft blatantly visible. His “Multikulti” was one of the best shows I’ve seen this year. There were familiar shapes and colors that led you to historical references, yet his art is going in directions not visited by others. Speaking of directions not visited by others, these shows are on my best of 2011 list as well: Butt Johnson @ CRG Gallery, Nick van Woert @ Yvon Lambert, and David Adamo @ Untitled.
by Amanda Schmitt on June 11th, 2011
Roof Piece
Yesterday evening, ten dancers of the Trisha Brown Dance Company, quietly emerged after a summer downpour and scattered themselves across the rooftops of the West Village to perform “Roof Piece.” The dancers will re-emerge to re-perform tonight, rain or shine, best and most accessibly viewed on the south section of the High Line (south of 13th Street). On the 40th anniversary of its creation, this choreography of this version is new and original based on the improvisational quality of the work itself. High up and far away, one dancer, facing south, begins the movement. Another dancer further north, mimics the movement of another dancer in view, yet slightly delayed, and adapted to their own body and style. This chain of dancers continues north and crosses through the High Line, creating a sort of spiral. Half the fun of viewing this performance is filling in the puzzle pieces, searching for spots of red, playing a game of “Where’s Waldo” for the ten dancers (I could only find seven, but perhaps you’ll find more). “Roof Piece” literally surrounds the viewer, the High Line, and the entire neighborhood. This performance is a must see!
Performances will take place Friday, June 10 at 7pm, and Saturday, June 11 at 5pm and 7pm.
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