An instigator of the social norm, Pilvi Takala’s artistic practice provokes many hidden questions dealing with societies and communities, and she does so with such nonchalance that almost matches with her innocence. Pilvi is definitely careful and clever in carrying out her performance acts. This past Summer, Pilvi and I had a nice conversation about her recent project Real Snow White, her feelings about the iconic Disneyland, and what irks her about malls. Her solo exhibition at the Finnish Norwegian Culture Institute in Oslo opens on November 18, 2010. Pilvi Takala is a performance and video artist based in Amsterdam.
When did you start doing these live performance acts?
In 2004 I went to Glasgow for an exchange from my school in Helsinki, at that time I was more interested in art in the public space and not so much showing in galleries. There I made the first piece that was kind of meaningful. It’s an artist book based on a performative intervention called Event on Garnethill. Continue Reading More »
When I walked into Pure Beauty, the new retrospective exhibition of John Baldassari’s work at the Metropolitan Museum of Art, I was skeptical to say the least. As an international art star, Baldassari’s most famous images are ubiquitous. His colored dot paintings have graced the pages of innumerable auction catalogues, art magazines and exhibition advertisements. Quite simply, I had become numb to them. Furthermore, I appreciate the effort that the Met has been making of late to exhibit contemporary art, but have not been remotely impressed by their offerings. Past exhibitions like “The Pictures Generation” have been impressive in scope, but seemed dull and over historical.
(Trailer for The Last Days of Shishmaref. East coast premier on Nov. 15, 2010)
The Margaret Mead Film & Video Festival is the longest-running, premiere showcase for international documentaries in the United States, encompassing a broad spectrum of work, from indigenous community media to experimental nonfiction. The Festival is distinguished by its outstanding selection of titles, which tackle diverse and challenging subjects, representing a range of issues and perspectives, and by the forums for discussion with filmmakers and speakers.
Mead Festival at the American Museum of Natural History
November 11 – 14 Full schedule
Forgotten, discarded, orphaned, lost; stolen, bought, discovered or found; the vernacular images in HELP ME are culled from Gillian McCain’s extensive collection of photographs in formats including tin-types, cabinet cards, Polaroids, and snapshots. Continue Reading More »
For months, after the last Shepard Fairey show at the Deitch in SoHo, I have always wondered what would come next. Luckily it wasn’t another boutique. Last month Levi’s launched a playground for photo fanatics. We all know that Levi’s is a pioneer in denim wear, but not everyone is familiar with Deitch Projects, which pioneered in its own right as a gallery for street and contemporary art. To give a little background (and props) to the gallery, since its beginnings in 1996 the Deitch has housed a roster of artists such as Keith Haring, Shepard Fairey, Yoko Ono, Jon Kessler, Swoon, Mariko Mori, Os Gemeos, and Clare Rojas. Today, the spirit still survives through the Levi’s Photo Workshop with guest collaborators having their work exhibited along with the program. A Levi’s photobooth is appropriately installed in the space, although not as an installation, but as a complimentary booth for everyone. Call it a corporate marketing scheme, but who cares when you can shoot, print, scan, and rent photo equipment completely for free. A complete list of collaborating artists can be found here. Scroll down for more photos. Continue Reading More »
Love knows not its own depth until the hour of separation
I first stumbled upon the paintings of Mark Warren Jacques at Cinders Gallery in Brooklyn. His small, radiant paintings hit me in the face. Mark’s paintings are characteristic of his personality: heady and amorous, and tempered with a languid playfulness. His brightly hued canvases combine a humble, DIY sensibility with otherworldly yearnings and an almost sublime aesthetic. His newest exhibit, I’m Here Now at Gallery Hijinks in San Francisco is open until November 15th. Last week I had the opportunity to talk to the artist about the show, his art, and future plans. Continue Reading More »
This weekend New York Times writer Jasper Rees broke the street art story of the year. The story, which has prompted a wildfire rash of blog postings, revolves around “The Underbelly Project.” Street artists Workhorse and PAC curated a selection of some 150 international street artists, inviting each to paint a mural in one night on the walls of an unidentified, unfinished abandoned subway station four stories underground. The exhibition was opened to a select group of journalists and bloggers for one night, and then closed forever, when the gorilla curators destroyed the entrance. The list of artists is incredible: Dan Witz, Faile, Swoon, Anthony Lister and Jeff Soto to name just a few. More details on Vandalog.Continue Reading More »
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