Friday, April 8, “Dear Japan We Love You” opened at OPENHOUSE GALLERY on 201 Mulberry Street NYC, another great silent auction benefit curated by our friends Tanya Arakawa Rosenstein, Will Robins, and Foundation World. There was something for everyone with a focus on urban art, and people were quick to scribble in their bids hoping to snatch up pieces by David Ellis, Kenzo Minami, Shepard Fairey, Swoon and more at a 10th of the market value. A painting by Jose Parla was going for $5,500!
From the producers:
3.11 Project was conceptually created by Yuko Arakawa, one of the producers, who was motivated to start this project because she is from the prefecture of Fukushima in Japan. Her hometown is only 70 miles away from the Nuclear Power Plant, and she is heartbroken by this devastating disaster that has affected her place of origin and her family. Instead of feeling helpless, she is compelled to find a way to give back to her country and to her community. 3.11 is an on-going project that will continue to strive not only to raise money, but to raise awarenes for the victims of northern Japan that were affected by the Tsunami, Earthquake, and Nuclear Radiation.
100% proceeds of all projects we produce will be donated to Japan Earthquake Relief Fund via Japan Society.
Caitlin Masley at her studio in DUMBO. (Image: Carissa Pelleteri)
Looking at Baltimore’s busted-out vacancies last weekend, with their broken, boarded-up windows and exhausted dereliction, I couldn’t help but think of a phrase the artist Caitlin Masley used when we spoke in January: “monuments to failure.” It’s an interesting description, because monuments tend to valorize failure’s opposite: success and the heroic triumphs of civilization. Beyond recognizing fallen soldiers and epic battles, monuments reserve their monumentality for the great and the good. Yet so much of life is neither great nor good, and if reality is to be preserved in statuary, isn’t it equally worth capturing the sad defeats of life? And if we were to pursue that idea, would we need to go much farther than the half-built developments littering so much of America today? Aren’t their shells evidence of stock market failure and an inability to curb our greed for more land, more profit?
Those are the kinds of questions Masley’s artworks prompt. Her sculptures, drawings, installations, and photography speak to the hoped-for futures humans conjure and then leave behind, whether in their imaginations or here in the material world. There is, for instance, “TWOTOWERSVER2,” a manipulated photo of an imaginary landscape in postwar reconstruction, and “Copperland,” a series of abstract drawings overlaid in copper leafing. In the works, dense clusters of human habitation are seen from a bird’s-eye view, with some sections darkened as if erased, the whole of it suggesting a desert landscape—El Paso at night maybe, or, more likely, bombed villages in the Middle East. Continue Reading More »
WEDNESDAY APRIL 6th 2011 – UNSOUND FESTIVAL NEW YORK: OPENING NIGHT
Music for SOLARIS(North American Debut) a tribute to the novel “Solaris” by Stanislaw Lem. Composed for twenty‐nine string players, two percussionists, prepared piano, guitars and electronics. Performed by BEN FROST (Iceland/Australia), DANÍEL BJARNASON (Iceland), SINFONIETTA CRACOVIA (Poland) with film manipulations from BRIAN ENO / NICK ROBERTSON (UK)
KRZYSZTOF PENDERECKI (Poland) performed by SINFONIETTA CRACOVIA (Poland) STEVE REICH (USA) performed by SINFONIETTA CRACOVIA (Poland)
PRESENTED BY: Unsound Festival New York, Sacrum Profanum, The Adam Mickiewicz institute, Krakow Festival Office, the Polish Cultural Institute in New York and the Goethe-Institut New York @ Alice Tully Hall Lincoln Center for the Performing Arts, 1941 Broadway, New York, NY
(All images courtesy of Unsound Festival New York)
The Thingness of Color, installation, 2011, Dodge Gallery, New York, NY
We’ve made it through the winter, and on a warm spring day I let my gallery-legs thaw and took a stroll to see what LES had in store for me. I am happy to have wandered into a new space that I have noticed before, but looks like it will be a mainstay on Rivington, along with its neighbors, ElevenRivington and Thierry Goldberg. In a large, open space that was formerly a sausage factory, Dodge Gallery opened in September 2010 with a group show, Dramatus Personae, a group show that –aptly titled– presented the gallery’s roster of artists. Their sixth exhibition opens this Saturday with a solo show by Sheila Gallagher downstairs and a group show, The Thingness of Color, upstairs.
Continuing our Featured Gallery series, I was able to ask Founder/Director Kristen Dodge about the past, present and future of the gallery.
As a young gallery, you have already developed an impressive and intriguing roster. What was Dodge Gallery before you had a space on Rivington?
I’ve always known that I would open my own business and in fact, decided that it would be an art gallery before ever working at one. There’s something about the combination of business and art that was extremely appealing to me- addressing the two sides of my brain. But it wasn’t until I spent several years working under the guidance of Abigail Ross and eventually growing into the position of Director and establishing a creative partnership with her at the rotenberg gallery in Boston, when I realized that running a gallery is not only something I want to do, but it’s something I can do. I remember asking Sina Najafi at Cabinet Magazine, my first employer out of college, why he decided to start his own business and he said, “because I don’t want to work for anyone else.” I eventually landed in that same place and became my own boss. Continue Reading More »
Unsound Festival NY 2011 kicked off with Unsound Labs and Collaborations last week, giving us a first taste of what is coming for the major events happening this week. This year, underexposed artists from Poland, Lithuania, Russia, Croatia, Bulgaria, Hungary and Finland will all feature during Unsound Festival New York alongside artists from USA, Germany, Austria, England, Spain, Switzerland and Argentina. Full schedule of events here.
All photos by Stephen J Cardinale for Unsound Festival New York
Terry Pender at Columbia-Princeton Electronic Music Center
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