by Brinson Renda
on October 10th, 2011
Photos courtesy of 101/exhibit
For Wynwood’s Second Saturday, I made my way up to the Design District to check out San Francisco based artist Joshua Hagler’s first solo show at 101/exhibit, properly named, ‘Perceptions of Religious Imagery in Natural Phenomena.’ Freshly settled back in the States from his 6 month residency at MIRA in Martignano, Italy; one can see the direct influences this residency had on him. Pulling from his personal Christian upbringing, obscure Catholic Churches he explored in Italy and the classical baroque interiors of those spaces, Hagler fuses these references into something wonderful. I’d like to take you on a personal tour and urge you to go & visit this exhibit that’s on view till November 26th. Continue Reading More »
Comments closed
by Maria Papadomanolaki
on October 9th, 2011
On Tuesday, October 18th, free103point9, PAJ Publications, Issue Project Room and Electronic Music Foundation will celebrate the publication of Transmission Arts: Artists and Airwaves by Galen Joseph-Hunter with Penny Duff, and Maria Papadomanolaki (PAJ Publications: 2011). This event will feature performances from Todd Merrell, Kabir Carter, Terry Nauheim, Lázaro Valiente, Joel Chadabe/Milica Paranosic. Performances begin at 7 p.m.
PROGRAM INFO:
Transmission Arts: Artists & Airwaves Brooklyn Book Celebration
(http://free103point9.org/events/3657)
Oct. 18, 2011: 7 p.m., free
Issue Project Room
At the Old American Can Factory
232 3rd Street, 3rd Floor
Brooklyn, NY 11215 Continue Reading More »
Comments closed
by Lee Foley
on October 4th, 2011
Installation View, The Murder of Hi Good, 2011
“The Murder of Hi Good” is Lee Lynch’s first solo exhibition at Steve Turner Contemporary. The focus of the exhibition is a video that plays on a loop, in an installation that makes you feel as if you are part of an early-American Freemason convention. In a narrative format, “The Murder of Hi Good,” contributes to a revisionist history of the American west, at the same time inviting the viewer into a performance that contemplates the use of historical references and objects in contemporary visual art.
Comments closed
RSS
