Sao Paulo Turtleneck, 2010
Working in the woodshop at Parson’s School of Design, Alan Reid draws inspiration, in an ironic way, and finds useful materials, in a work with what you’ve got kind of way, through the discarded scraps of wood left behind from drill presses, routers, and other power tools. In his second show at Lisa Cooley, With, Reid uses these bits and pieces and presents them atop seven large canvases, upon which rest seven lethargic, ephemeral females.
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