Kabir Carter is a performance and installation artist based in NY. His work could be described as an eloquent study on the interactions and interpolations between sound, space and the body. I was introduced to his work while doing research for the book Transmission Arts: Artists and Airwaves and I was intrigued by the physicality of his creative method as well as his attentiveness to the spaces he uses for his work. Kabir Carter will be performing tomorrow Tuesday, October 18th, at the Transmission Arts: Artists and Airwaves book celebration at Issue Project Room.
When did you start to develop a sensibility about space in all its different manifestations (public, private, indoors and outdoors). What was the first interaction/experiment or project that sparked this idea in your head and consequently in your work?
What set me to actively consider space in my own work was Shared Frequencies. Several years ago, I received a grant to go out on New York City sidewalks and set up a loose array of radio scanners, signal routers, and analog synthesizer modules atop a pair of folding tables. My first few realizations of the work required me to rethink my relationship to sound in space on the fly.