Portrait: (Self) #1 as Control + 11 Alterations by Retouching and Airbrushing, 1974 (© John Baldessari)
When I walked into Pure Beauty, the new retrospective exhibition of John Baldassari’s work at the Metropolitan Museum of Art, I was skeptical to say the least. As an international art star, Baldassari’s most famous images are ubiquitous. His colored dot paintings have graced the pages of innumerable auction catalogues, art magazines and exhibition advertisements. Quite simply, I had become numb to them. Furthermore, I appreciate the effort that the Met has been making of late to exhibit contemporary art, but have not been remotely impressed by their offerings. Past exhibitions like “The Pictures Generation” have been impressive in scope, but seemed dull and over historical.
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