(images courtesy Regina Rex)
In the days of Minimalism, artists tried to make objects that were totally empty of meaning. Simple and pure in form, these objects would speak to all, recognizing no linguistic borders. However, as this program congealed into a kind of formal orthodoxy, many artists of the following generation spoke about ‘taking the [...]

While having the potential to come off as a bit of a Debbie Downer, Roberta Smith contributes seasoned wisdom with traditionalist tones in this weekend’s NY Times Arts & Leisure section.
The title, Post-Minimal to the Max, is odd and misleading, so I suggest disregarding it, but the writing nicely frames the current art moment as a [...]