Excavations Non Objective, Michael Filan’s solo show of abstract paintings are on exhibit as part of the Intercultural Church’s 50th anniversary celebration through the end of August, 2010.  Filan uses brilliant enamel paints, which he refers to as light, the intensity of color serving as his “mystical guide”.  Dripped, poured and sprayed on recycled monoprints, with paper pulled away in some areas, exposing the work beneath it, a new genre of painting is brought forward, fueled by curiosity and impulse.

These handsome “pictures of nothing,” Kirk Varnedoe’s coinage for abstract art, are brushless and daringly drippy inventions which have been skillfully curated by Frank DeGregorio on free-standing, staggered walls with negative space above and below the paintings, allowing viewers to mix’n’match paintings in groupings from a variety of angles with great affect.

Enthusiasts of abstraction will see the influences of de Kooning, Frankenthaler and the lesser known Morris Louis, and more importantly, the quiddity of the art form in the delightfully, joyful gallery space known as the Treasure Room.