by Helen Homan Wu
on September 28th, 2010

Bus Fire (2010)

I had the feeling that Michael Stickrod is somewhat of a 21st century neo-Romanticist when I saw his assemblages. A dusty postcard, a half-torn hotel letterhead scribbled with messages, a used pencil from his mother, handmade knives from his father, Michael saves everything that has personal value. These personal mementos quietly meld into his palette for producing work that’s full of vivid narratives. Before I got to know Michael personally, I was curiously drawn to his assemblages showing at the group show Untitled at NP Gallery. His story is particularly strong because each object – though casually pinned on the cork board – had gone through many places and cycles of time. The way the artist chose to light these artifacts using a single warm lamp almost feels as if we’re looking through his eyes. Yet these clues are not enough, many pieces of the puzzle are still missing. Continue Reading More »
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by Helen Homan Wu
on September 28th, 2010

Following Kathrin Rhomberg, who was the curator for the 6th Berlin Biennale, KW Institute for Contemporary Art just announced the news that Artur Żmijewski will be curator for the upcoming 7th Biennale. Looking forward to 2012. Previous curators include: Klaus Biesenbach with Nancy Spector and Hans Ulrich Obrist (1st Berlin Biennale), Saskia Bos (2nd Berlin Biennale), Ute Meta Bauer (3rd Berlin Biennale), Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick (4th Berlin Biennale), Adam Szymczyk and Elena Filipovic (5th Berlin Biennale), and Kathrin Rhomberg (6th Berlin Biennale).
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by Howard Hurst
on September 27th, 2010

Chuck Close
Pace is an art gallery synonymous with New York City. Having moved here in the 1960s from Boston, owner Arne Glimcher has built it into something of a dynasty. This September marks the gallery’s 50th year in existence. To celebrate, Glimcher has organized a massive exhibition sprawling across all four of his Manhattan gallery spaces. The show features influential and important paintings from across Pace’s five decade history. The uptown space has been organized into a mini retrospective of notable Pace exhibitions. The other three spaces in Chelsea are ordered based on a rough chronology, featuring contemporary art, abstract expressionism and pop art, and “minimalism and post modern art” respectively.

Dan Flavin
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by Megan Seelie
on September 25th, 2010

'No', 2010. oil on canvas
Have you ever been to a solo show where you are convinced there were multiple artists on display? That’s how I felt while visiting Fraenkel Gallery’s Mel Bochner: Photographs and Not Photographs 1966 – 2010, spanning Bochner’s work from 1966 to 2010, a potent time for conceptual and Post-Minimalist art in America. Each work tempted me to the next like a carrot on a stick with a continuation of the concepts that he wove throughout the gallery using photography and painting. Furthermore, quotes from Sartre, Proust, Duchamp and the Miriam-Webster Dictionary about photography, blocks, monuments, painting and a multitude of other topics illuminated his photos and paintings. Bochner’s show presents many ideas, but lacks a specific point which is successful in that it allows the viewer a great deal of room to ponder, explore and enjoy without feeling that an answer must be found. Continue Reading More »
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by Helen Homan Wu
on September 22nd, 2010

HIGH TIDE by Lucia Warck Meister

CANOPY by Anne Percoco
This weekend, Dumbo, Brooklyn is going to be high on art. In its 14th installment, the Dumbo Arts Festival has expanded its line-up of programming to include family programs, new media arts, theatre, literary arts, music workshops, and even kite-flying! (free kites offered by the Kite Flying Society at Galapagos). The artists involved range from local talents to special visiting artists. Happening at the same time is Capture Brooklyn: A Juried Photo Exhibition by the New York Photo Festival. Hosted by Powerhouse Arena, it’ll be a massive gathering of up-and-coming photographers with tons of indie photo books out for sale.
I recommend downloading the Festival’s map and program prior to trekking out to the waterfront.
DUMBO ARTS FESTIVAL
Sept. 24 – 26
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by Helen Homan Wu
on September 18th, 2010


It is inevitable that the New Museum would launch its own branded edibles. Last week, I was fortunate to be invited to the preview of their freshly launched New Museum Cookie made by City Bakery’s owner Maury Rubin. Not only is the Birdbath Cafe stocked up with deliciously baked goodies, it seems that the New Museum is taking a huge step into forward-thinking sustainable practices. Their environmentally conscious effort is evident in working with City Bakery’s acclaimed Maury Rubin with his Build a Green Bakery initiative, and Uhuru Furniture designers who “believes that each piece conceived, designed, and produced should add to some greater good for the world.” I had a chat with Maria Cristina Rueda from Uhuru, and she explained that their furniture is handmade in Red Hook with a huge awareness for the environment especially when they produce for special events. I was more than impressed by that statement since I produce events and understand how materials always get wasted. The trunk stools that we were sitting on were beautifully simple, humbly original, and most importantly minimally functional. At the end of our conversation we both agreed that we can only take realistic steps towards shifting into a “green” mindset, this is New York City after-all, and not the hippy West Coast.
Photos by Pauline Tran
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by Helen Homan Wu
on September 18th, 2010

Photo by Mikhail Iliatov
Next Tuesday, Sept. 21, I curated a one-night performance event to happen at the new multi-media culture space Culturefix, located close to the brim of the Lower East Side. The show entitled Happy Oasis is an interesting blend of Hi/Lo Fi instrumentals and electronics with live projections, featuring experimental noisician link (Thessia Machado), electronic composer Ezekiel Honig collaborating with visualist Joshue Ott (superDraw), and sound/visual artist Mikhail Iliatov. The percussionist Hyun Moraes opens the show with an intense shamanic beating of a taiko drum. I’m really curious to see performance artists Kristin Reger and Martha Moszczynski (part avant-garde, part punk) collaborating for the first time to do an entrancing act with attributes to Middle Eastern women. If you have an iPhone or iPad, please bring it for a real-time interactive audio/visual experience. Complete details at opalnest.com
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